AFRICAphonie

Movie Trailer - Kuva Likenye and the Bakweri Armed Resistance to German Colonization

AFRICAphonie (with an OSIWA support) Presents Kuva Likenye, a historical Documentary. Directed by Kome Epule Mathias. Editor: Njukeng George Njukeng. Script Consultant: Dibussi Tande. Narrator Muema Meombo. Executive Producer: George Ngwane.

For details on how to obtain a copy of the documentary, contact:

George Ngwane
Executive Director
AFRICAphonie
Tel: 77 66 84 79
E-mail: gngwane@ yahoo.com or Africaphonie2000@ yahoo.co.uk

Movie Review: Kuva Likenye, a Historical Documentary

By Dibussi Tande

AFRICAphonie (with an OSIWA support) presents Kuva Likenye, a Historical Documentary. Directed by Kome Epule Mathias. Editor: Njukeng George Njukeng. Script Consultant: Dibussi Tande. Narrator Muema Meombo. Executive Producer: George Ngwane. Music by DJ Kofi.

Very few Cameroonians know the history of Cameroon in all its diversity and depth. And with good reason. Most of what passes for “Cameroonian history” in schools is a sanitized version of the country’s history whose sole purpose is to reinforce “state control” and “toe-the-line” concepts such as “unité nationale and intégration nationale. These concepts seek to legitimize the official narrative on the “colonial partition” of the Cameroonian family and the ultimate “reunification” of these long lost brothers and sisters against all odds in 1961 in a “historic burst of nationalism”. Any piece of history which either questions or contradicts this official narrative, or fails to add value to it, is simply ignored or discarded. The result? Many key events and personalities in Cameroon’s pre-colonial and colonial history remain largely unknown and confined to local and ethnic folklore.

By Dibussi Tande

AFRICAphonie (with an OSIWA support) presents Kuva Likenye, a Historical Documentary. Directed by Kome Epule Mathias. Editor: Njukeng George Njukeng. Script Consultant: Dibussi Tande. Narrator Muema Meombo. Executive Producer: George Ngwane. Music by DJ Kofi.

Very few Cameroonians know the history of Cameroon in all its diversity and depth. And with good reason. Most of what passes for “Cameroonian history” in schools is a sanitized version of the country’s history whose sole purpose is to reinforce “state control” and “toe-the-line” concepts such as “unité nationale and intégration nationale. These concepts seek to legitimize the official narrative on the “colonial partition” of the Cameroonian family and the ultimate “reunification” of these long lost brothers and sisters against all odds in 1961 in a “historic burst of nationalism”. Any piece of history which either questions or contradicts this official narrative, or fails to add value to it, is simply ignored or discarded. The result? Many key events and personalities in Cameroon’s pre-colonial and colonial history remain largely unknown and confined to local and ethnic folklore.

AFRICAphonie’s Latest Telefilm: A Classical Tri-therapy Against the HIV/AIDS Pandemic

By Donatus Fai Tangem* 

The Cameroonian Telefilm scene has once more been adorned by yet another AFRICAphonie production entitled “Positive living” (live and let’s live). Coming on the heels of “Nkuma” a film on female Genital Mutilation, (FGM), the awe-inspiring movie announces itself through a captivating poster design shaped like a hose shoe and hemmed by the beaming faces of mature actors and actresses.

The prominence of good old reliables like Mejame Njikang, Pa Ngalla (of the Musinga drama group fame) and the venerated Mah Fese among other fine actors and actresses foretells swell times for potential viewers.